He also filled the 1932 movie with his own unique touches. He also told his director to “make it as grisly realistic as possible.” Paul Muni, center, the star of 1932’s “Scarface: The Shame of the Nation” Hawks was only too happy to comply. The script had already run into trouble when it was shown to the censors, but Hughes told Hawks to ignore their protests and to shoot the film as it was set down on paper. He also hired another up-and-comer named Howard Hawks to direct. Hughes brought on one of Hollywood’s all-time famous scriptwriters, Ben Hecht, to work on the film. He bought the rights to a book named “Scarface” which was written in 1929 by a young scribe named Armitage Trail. That’s when famous multi-millionaire Howard Hughes set out to make a realistic gangster film that would pull no punches while depicting the violence associated with prohibition. The poster for the 1932 release of Howard Hughes’s version of “Scarface” The Beginningsīelieve it or not, the beginnings of Scarface, date back some 50 years earlier…to the very dawn of the sound era in Hollywood. The story of its journey from concept to screen is interesting in its own right. Yet, Scarface couldn’t be more different in tone and style from those other two films. Recognized today as an iconic touchstone in the history of the gangster film, it along with The Godfather (1972) and Goodfellas (1990) form the tripod upon which subsequent American contributions to the genre have been built. Introduction Next year marks the 40th anniversary of Brian De Palma’s Scarface.
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